{"id":2368,"date":"2018-09-19T06:16:35","date_gmt":"2018-09-19T10:16:35","guid":{"rendered":"https:\/\/cptrental.com\/?page_id=2368"},"modified":"2018-09-28T11:12:32","modified_gmt":"2018-09-28T15:12:32","slug":"lenses-anamorphics","status":"publish","type":"page","link":"https:\/\/cptrental.com\/?page_id=2368","title":{"rendered":"Lenses – Anamorphics"},"content":{"rendered":"<\/div><\/div><\/div><\/div><\/div>
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Zeiss \u00b7 Cooke \u00b7 Hawk \u00b7 Kowa \u00b7 Cinevision<\/span><\/span><\/h3>\n

ANAMORPHIC LENSES<\/span><\/span><\/h1>\n

If you want to shoot with anamorphic lenses, the first thing is to know which camera will be used.<\/span> The traditional cameras for format 2:40 are those with the sensor in 4: 3 format (Arri Alexa Mini or SXT and now the new Sony Venice) to be able to capture the entire image of the anamorphic 2X lenses, whose lenses have frames PL.<\/span><\/p>\n

If you prefer to use a camera with 16: 9 sensor (all Red, Canon or most Sony) you have to take into account that your sensor is somewhat smaller and that the angular lenses will “see” a little less. We invite you to visit our facilities to try and dispel any doubt you may have.<\/p>\n<\/div>\n<\/div><\/section>\n\n